LED Lighting Controllers & Studio Equipment

Professional LED lighting & spectral control

Professional LED lighting for film, broadcast and studio — variable-white and full-colour soft sources (1600K–20000K), flicker-free to 10,000 fps, with closed-loop colour control and native wireless DMX.

We have developed some of the core technologies in equipment manufactured by some of the most well-known players in the industry. In-house experience in power supply design, precision analogue measurement and control gives you the most innovative product. Contact us to see how we can help you with your new design.

Core Capabilities

Professional LED lighting for film, broadcast and studio — variable-white and full-colour soft sources, flicker-free, with production-ready control.

• Variable-white soft sources, 1600K–20000K. — Our variable-white panels deliver a broad, even spectrum with green/magenta control and gel-emulation modes.
• Full-colour & tunable-white engines — Cinematic soft panels offer bi-colour 2700K–6500K and full-colour variants with network-ready control.
• Flicker-free high-speed performance — Panels are tested flicker-free to 10,000 fps for high-speed cinematography
• High-output overhead sources — Our overhead LED spacelight delivers large-volume ambient top light with closed-loop colour control.
• LED lighting controllers — Our film & TV lighting controllers provide dedicated LED lighting control for filming and TV.
• Colour reference & communication. — The Bluetooth Digital LED Swatchbook gives CRI >95 / TLCI >90 portable colour preview and matching.
• 1600K–20000K — Variable-white range
• 10,000 fps — Flicker-free tested

How it works

Light engine & spectral tuning

We engineer professional LED light engines with broad, even spectra and precise colour — variable-white from 1600K to 20000K with green/magenta control and gel-emulation modes, as in our cinematic and variable-white soft panel systems.

Control & connectivity

We add production-grade control: detachable control electronics, native wireless DMX and flicker-free output verified to 10,000 fps for high-speed cameras, plus the closed-loop colour stability used in our overhead LED spacelight.

Colour accuracy & workflow

We build the tools crews actually use on set — like the Bluetooth Digital LED Swatchbook for accurate colour preview and communication — so fixtures match each other and match the look the designer intended.